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Content production

films, reels, photography

A Bugatti Chiron Super Sport photographed in a studio under studio lighting, held against near-black.

Common tasks

  • Edit one reel from supplied footage.
  • Shoot one product or car hero reel.
  • Half-day batch content shoot.
  • Monthly short-form content day.
  • Automotive listing photo set.
  • Event recap edit.
  • Horizontal-to-vertical repurposing.
  • Captions, subtitles and motion titles.

Featured automotive photography.

The one photo case study this discipline has produced so far, shot and graded in a studio.

Photography case study.

Films.

Vertical shorts from the same showroom floor, the strongest 6 of 23 by verified organic reach.

Porsche 911 GT3 - Paint to Sample Pink - frame from the film

Porsche 911 GT3 - Paint to Sample Pink

The most serious 911 you can order, in the least serious colour available.

Project One Motors YouTube · Instagram (organic reach)

Shot and cut on the Project One Motors showroom floor.

278,000+ organic views (Instagram, July 2026)

Ferrari F8 Spider - frame from the film

Ferrari F8 Spider

The last of Ferrari's mid-engined V8 two-seaters, with the roof folded away.

Project One Motors YouTube · Instagram (organic reach)

Shot and cut on the Project One Motors showroom floor.

152,000+ organic views (Instagram, July 2026)

Bugatti Chiron Super Sport - frame from the film

Bugatti Chiron Super Sport

Eight litres, sixteen cylinders, four turbochargers, and a shape that refuses to be rushed.

Project One Motors YouTube · Instagram (organic reach)

Shot and cut in a studio, under studio lighting.

87,000+ organic views (Instagram, July 2026)

BMW X6 M Competition - frame from the film

BMW X6 M Competition

A tall car with a coupé roofline, in a room laid out for low ones.

Project One Motors YouTube · Instagram (organic reach)

Shot and cut on the Project One Motors showroom floor.

65,300+ organic views (Instagram, July 2026)

Porsche 911 GT3 RS - frame from the film

Porsche 911 GT3 RS

A road car built around downforce, with a wing you can see from the next lane.

Project One Motors YouTube · Instagram (organic reach)

Shot and cut on the Project One Motors showroom floor.

60,000+ organic views (Instagram, July 2026)

Brabus G800 Widestar - frame from the film

Brabus G800 Widestar

The only one of these shot outside - a widebody G-Class in the desert, at sunset.

Project One Motors YouTube · Instagram (organic reach)

Shot and cut on location, in the desert at sunset.

46,300+ organic views (Instagram, July 2026)

Starting at.

A focused first step, at three sizes. Every tier and the full scope live on the pricing page.

Single Hero Reel

AED 1,500

See the full breakdown →

Content Starter

AED 2,950

See the full breakdown →

What people ask before they book this.

Vertical short-form, batched from a shoot day.

What do I get, exactly?

Vertical short-form: graded, with licensed music and captions, cut to the length the platforms actually watch. The bigger packages batch them from a single shoot day, because the expensive part is turning up, lighting it and moving the car, not the edit.

I already have footage. Can you just edit it?

Yes, and it's the cheapest thing on the card for exactly that reason - no shoot, no travel, no location. Send me what you have first and I'll tell you honestly whether it's an edit or a shoot. Two hours of usable material and thirty seconds of usable material are not the same job, and I'd rather say so before anyone books a day.

Do you make anything longer than a reel?

Everything I make is a cinematic reel, and that is what this card prices. Anything that needs scripting, talent or more than one production day is not on it, and a number published in advance would be a guess dressed up as a price, so it gets quoted after a call.

Who comes up with the hooks?

I do, from the hero reel up - the hook and the shot list are in the price. It's not an upsell so much as the difference between a folder of beautifully graded clips and a folder of beautifully graded clips nobody watched past the first second.

Can you do rolling shots?

Yes - an add-on on the smaller packages, and included for one agreed sequence on the bigger ones. It assumes a safe method, no specialist tracking vehicle, no road closure and no drone. If the idea needs any of those, it gets scoped and quoted before anyone books a car, rather than discovered on the day.

What's the difference between Production Day and Production Partnership?

One is a day. The other is that day, every month, at a lower rate. A Production Day is booked once - you get the batch it produces, and when it's delivered it's finished. Production Partnership books the same day on a repeating slot nobody else can take, wraps a rolling three-month content plan and priority delivery around it, and holds your current rate through the next price increase - which is what the three-month minimum actually buys, on top of costing less per month than booking the day on its own. Book the day if you want one batch of content; book the partnership if you want a feed that doesn't run out. The showroom retainer is a third shape again - several shorter visits across the month instead of one long day, which is what you want if the stock changes weekly and a monthly batch would be out of date by the third post.

How many revisions do I get?

One consolidated round per reel. "One round" means one set of feedback with everyone's opinions already in it, not five separate messages across a week - that's in the terms, and it's the thing that keeps a fixed price fixed.

Do you post them for me?

That's social media management rather than the video package, and it's priced separately - the two run alongside each other. The reels themselves arrive as files, named and in the right aspect ratio, ready for whoever does the posting. Including me, if that's the arrangement.

From the shot list and shoot through to the edit, grade and final delivery.