One walkthrough, and I'd rather say so up front
The honest state of it: one horizontal real-estate walkthrough, cut for a property page. That isn't a portfolio of towers and I'm not going to dress it up as one.
If the brief is forty units by Thursday, hire a crew that does volume. If it's one property that needs a film and a page that actually converts, that's a fair fight, and it's the overlap where I'm genuinely the better call.
Interiors are a lighting problem before they're a camera problem
What property video and my car work really share is rooms. Almost everything I shoot is on a showroom floor: a large interior with glass on two sides, a polished floor that mirrors whatever stands on it, and ceiling lighting nobody gets to move.
A villa or an apartment is that same problem at a different scale - windows far brighter than the room they're in, daylight and downlights disagreeing about colour, and nowhere to put a camera that doesn't include a wall. That's the transferable part, and it's a bigger share of the job than any aerial shot.
Shot on a gimbal, cut for a listing
A walkthrough lives or dies on the move. Handheld reads as an inspection video. A gimbal move that starts before the doorway and doesn't stop reads as somewhere a person could live. I shoot on an FX3 on a DJI RS5, with an Osmo Pocket for the tighter passes where a full rig physically won't fit through a door.
The other half of the job is the page
A property film gets watched on the page it's embedded in, and the page is usually the weak part - a heavy hero video, a slideshow, and a load time that loses the visitor before the film starts. I build those.
Maridian is a luxury-property concept I built end to end to make exactly this argument: editorial type, a calm ivory and forest-green palette instead of the usual gold, real motion, and static on Cloudflare's edge so none of that feel costs you the load. The Project One Motors rebuild is the same argument on a live client site, at 0.4 seconds.