Bugatti Chiron Super Sport

Shot inside, in a studio, under studio lighting, so nothing else was in the reflections. A curve the size of the Chiron's C collects every light source around it, and a studio lets you decide what it collects.

The grade is where the rest of the work goes. Near-black is the hardest place to work: lift it and the car turns grey, crush it and the shut lines go. The blue has to survive that too.